goldbug2 metal detector

Free Metal Detecting Tips

Sweep Techniques Using the Minelab Sovereign
Author: Internet Tip
Every time I see a post by a former Minelab user stating they didn't get more than 4 or 5 inches in depth, I try to figure out how this can happen. The only things I can come up with are, the sweep speed, and sweep of the coil itself. I believe first of all the rod length is the most important. Some manuals tell you to make the rod length so that your arm will hang straight down without bending your elbow, while this is definitely more comfortable, I thinks its a major mistake. If your arm is hanging straight down with the coil level in front of you there is no way to make that coil be level with the ground in a complete arc, unless your sweep is contained to a few feet directly in front of your toes. It is imperative that the coil on the Sovereign (or any detector) remains at a constant 90-degree angle to the ground while remaining as close to the ground as possible. If you think about it, having the arm hanging straight in front of you will tend to make you swing the coil in an arc back and forth, making your only full depth capability's directly in front of you. The Sov hates that point where the coil is lifted from the ground and often false signals any time the coil is lifted from the ground. If you adjust the length so the coil is flat to the ground about 1-2 feet in front of you, this will allow a better swing arc, while keeping the coil flat as you bring it closer to you on each side. Any one who uses a Sov is aware of the slow sweep required for the Sov to achieve maximum depth, but perhaps that's the reason for them not getting the depth. Some can just not swing slow, or cannot adjust to it. I know I get impatient and want to cover more ground, I just have to force myself to slow down. The one thing you should do if you are swinging faster than you should be is to at least take the time to investigate any threshold nulls while doing it. The sov will null on a good target if the sweep speed is to fast. So if you at least slow down around those nulls, you may be able to get the sov to respond to the target. This also will enable you to pick up some good targets near trash. This is the reason I like to keep the sensitivity down far enough to always have a threshold sound. I know others turn it up as high as they can with out falsing, but I like to keep it at the point where the threshold is still there at most times. I know if your in a really iron infested area that this is almost impossible, but in most cases 12 o'clock on the sensitivity will still give you a pretty steady threshold sound. Keep the threshold at a point where it is just barely audible, and investigate any changes either higher or lower, with a very very slow sweep and wiggle it quickly over any of the response zones. I hope you guys not getting the depth can understand what I am trying to say. But for the ones I see posting you have already given up.
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I'll never forget the first time I swung a metal detector and it BEEPED! I dug up my treasure and I held that shiny circle of metal in my hand--a quarter!! Wow! A whole twenty-five cents! Since then I have treasured hunted all over the world. This site has info on goldbug2 metal detector and hopefully anything else you need to know about metal detecting, treasure hunting, and finding gold!

Good luck!

 

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Art Collecting: For Profit and Pleasure
Author: Ivan Cavric
Have you ever considered collecting art for investment purposes? If you are at home or in your office take a quick look around. Chances are that you have some sort of art hanging on your walls. You or some else selected it because you need something to put on your walls and you liked the how it looks. In some cases the price may have been a consideration. Since you will buying art, why not select works that have investment potential?

When it comes to collecting art most people feel inadequate or intimidated. We have been led to believe that you require specialized knowledge to be an art collector. The critics and most experts don’t offer any help either. Some are more interested in selling their particular showings rather than educating you how to become an art lover and a long term collector.

Collecting art can be very profitable and enjoyable. It is one of the few areas where you can have your proverbial cake and eat it too. Anyone can become a successful art collector. All it takes is to learn a few ground rules, most of which are common sense. Since you have read this far you have demonstrated that you possess common sense, now all you need to learn is a few basic rules.

However, before I get into the basics one point needs to be clarified. I am not writing about collecting the works of masters such as Dali, Monet, Van Gogh etc. For this type of collecting you do indeed need specialized knowledge that comes from years of study. Most of these works have proven their investment quality and serve as motivation for us to find the next great masters. And there will be new masters! The only question is which ones.

That’s where the fun in art collecting is! You just may be the one of the few who started buying the early works of an artist who suddenly becomes famous. It is possible! Imagine for a moment having purchased some early works of an unknown artist named Picasso. Early in his career his works were affordable and easily available to anyone. Now, look where the prices for originals have gone to – some sell for millions. And since we have already established that you will be buying art anyway, why not buy art as an investment?
Who knows, in 5, 10 or 20 years the artist may be the next Dali.

Collecting art for investment purposes is much like treasure hunting. You have to dig through a lot of dirt to get a few gems, but they do exist. Collecting art is very affordable. Remember we only want to buy works of the yet undiscovered. There is a lot to choose from so be discriminate.

In order for you to build a collection, a valuable collection, lets go over a few basic rules. I call them basic because it is enough to get you started with confidence. Once you begin you will be able add to your knowledge from your own experiences. The great part about treasure hunting is that there is always something new to discover. So never stop learning!

Now to the basics…

Collecting Art for Profit and Pleasure

1.Have a fixed budget allocated for collecting. Know how much you are willing to spend on an acquisition and how often acquisitions will be made. This is the first step because it will keep you focused. If you are starting out with only a few hundred dollars it doesn’t make any sense looking at works in the thousands. Remember you are just starting out, stay focused.
2.Buy art that you like! Since you are collecting for pleasure as much as for profit you have to like the work. Never mind what anyone tells you about the investment potential, it’s going on your wall and you have to like it!
3.Step 2 doesn’t always work and there is a good chance that you may miss out on some extraordinary artists. Art is subjective and what one person considers as art others may think its junk. To avoid this, for every 3 pieces you purchase that you like, buy one that you particularly don’t like, yet it fits your criteria as a possible investment grade collectible.
4.BUY ONLY ORIGINALS! Originals are one of a kind. Once an artist becomes well known there will be many collectors bidding but only one original will be available.
5.Limited Edition Prints are glorified POSTERS. In most cases the framing is worth more than the print. Serious collectors should avoid prints of any kind, even the prints of well known famous artists. In all probability the prices have been inflated. They should not be purchased or considered for investment purposes. For now don’t waste your time.
6.Get a biography of the artist. Get as much documented information about the artist as possible. Most artists will provide you with information about themselves, where they studied and where their works have been shown. THIS IS A MUST, and it should be accompanied with the art. If they don’t have a biography or basic information about themselves go to another artist. Move on!
7.Talk to the seller of the art. Try to verify that the work is an original and not a copy of an original. There are many talented artists who are able to duplicate the works of well known painters. The obvious copies you will be able to identify yourself (such as an oil of the Mona Lisa), others are more difficult. Ask questions and purchase only when you are satisfied with the answers.
8.YOU DON’T HAVE TO PAY THE ASKING PRICE! This is the fun part. Bargain, haggle and try to get it below the asking price. Prices are not set in stone. You just may be able to get it 50% or more below the asking price. You never know, some artists are truly starving artists. There is always room for negotiation.
9.Keep your receipts, cancelled checks and any other written information that accompanies the purchase. This is often overlooked yet it is a key part of serious collecting, regardless of the value of the piece. It is a good idea to write down where you purchased the art and the reasons why chose that particular piece. These records become part of the history of the art. Keep them in a safe place, I cannot stress enough how important this is for future valuation.
10.Take care of your collection. Keep the art out of direct sunlight, damp places and out of reach from unruly children and pets. Use common sense. Have proper insurance on valuable pieces and frequently update your records on various artists you are collecting.

Now you have the ten basic tools of collecting art for profit and pleasure. The Internet is a phenomenal resource. All kinds of information is available at the click of the mouse. It is also a good tool to share and promote your newly discovered artist. Keep in mind that the reason artists are famous is that they are well known. The more people you tell about the works you acquired the more will get to know the artist. Don’t be shy, share your discovery with others. Everyone will benefit.

Finally, don’t procrastinate, go out and start collecting. There is only one way I know of to become an experienced collector and that is to start as a novice. Everyone has to start somewhere. Don’t get discouraged. It’s true that everyone is a critic, but the only critic that matters is YOU!

About the Author

Ivan Cavric is President and Managing Partner of PrimeQuest Capital Corp. For over a decade Mr. Cavric has provided investment business consulting services to private clients and corporations.


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